Paraná Bussines Collection

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New talents and Silmar Alves closed the IV PBC

The fashion show of 13 finalists of João Turin Award of Incentive for New Fashion Designers started on last day of Paraná Business Collection, with a lot of innovation on catwalk. The students of fashion showed to be prepared to proposal and contemporaneous tendencies, as well about life and work of Paulo Leminski – theme of this edition of award.


The projects were developed from inspirations that touched the young students of fashion from Paraná. Between their, the lines of the writer, mentioned by the look of Acácio Mendes Pereira Neto, student of fashion course of Cianorte Campus, from Maringá University of State. Acácio reunited information about Leminski with looks, which showed the contradictions between straight lines and curves, and black and white.

He was the biggest sensation of night, and was the first place of the award, chosen by a judge commission, who are designers, stylists, personalities from Paraná and specialized journalists.

The second moment of the night – and closing the fashion shows of IV PBC – was the stylist Silmar Alves, who showed on catwalk the universe of elegant woman, with dresses and coats structured.

Inspired on the legend of Stone City, from Campos Gerais region on Paraná, the stylist remitted to the public, the love and punishment of primitive people, where men can not fall in love, and such as all legend, the warrior loved the beautiful woman, and all the tribe received a punishment by an earthquake that transformed the city in stones.

The collection of the stylist is formed by little and exclusives pieces. The linen of Fiateci from Porto Alegre was the principal material of dresses and heavy manteaux to rigorous and elegant Winter. The pieces maintained the principal characteristics of linen without tincture, which referenced the natural land and stone, historic elements that inspired the collection.

Notability

The looks of Silmar brought an ancient known by royalty woman, the corselet. Very adjusted and with light skirts, the majority were in golden color. The corselets received delicate embroideries and structured fur, which can be used under tailleurs. 

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