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Fashion show of candidates of João Turin Award surprises by creativity

The fashion show of 13 finalists of João Turin Award of Incentive for New Fashion Designers started on last day of Paraná Business Collection with a lot of daring and innovation on catwalk. The fashion students showed to be prepared to proposal and tendencies, as well to the context of life and work of Paulo Leminski – theme of this seventh edition of award.

The works were developed from inspiration that more touched the young students of fashion on Paraná. Between these, it was lines of the writer, mentioned on look of Acácio Mendes Pereira Neto, student of fashion course of Cianorte Campus from Maringá University of State. Acácio joints questions about Leminski with looks that showed contradictions of straight lines and curves, and from black to white.

The second model that entered on catwalk of the award was the young Carolina Toppan Rabello, from TECPUC-PR. She exposed the Greek mythology to compare and think about human behavior and afraid. With base on the book Metamorfose, of Paulo Leminski, she can let explicit the theme “fables are bigger than gods”, putting that through Greek mythology it is possible to enter on human subconscious.

The young Daisy Cristina Garbin, student from Centro Europeu, portrayed in her look that “Catatau means crash of logic and the crash of reader”.

Elaine Gripp, student of UNIPAR, from Cascavel, boarded the disaggregation of man with time. She made a spontaneous look, which break up and let parts of body exposed. There are charm in laces painted by hand and embroideries that give an old aspect, making reference to time.

Producing phenomenon and sensations in his poetry, Leminski, on the eyes of Huana da Costa Corrêa, from Tuiuti University of Paraná, showed the density of haikus with crazy, humor, and modernism. For this reason, according to young stylist, the writer was known by crazy and perturbed, but with great intellectual.

Juliana Yumi Moriya, student of Senai/PR, showed her principal fountain of inspiration that was oriental influences of Leminski, who received during his life, through writing and living. “This influences is represented through oriental technique of origami”, says the young. The way represented by the origami, on looks of the stylist, is the edible pine seed, which remembers the origin of the poetry.

This essence of oriental spirituality of Leminsky is concentrated in harmony of haiku and origami, two arts that is made from the same material – the paper – and directed to a similar objective: representation of nature. These are the characteristics of young Leticia Aparecida Nakayama, of Londrina University of State, presented in her fashion show on PBC.

“Paulo Leminski was a man of many influences, of good humor, drama, love, and crazy for life”, says Maria Fernanda Wendhauser Barreto Lima, of Senai/PR, about her looks on catwalk of PBC.

The young Remo Disconzi Filho, of Londrina University of State, has inspired on haikus with little poetry of three verses. “Showing his interests by Japanese culture and literature, Paulo Leminski became one of big creators and publishers of haikus, and published in 1983 the biography of samurai poetry Matsuo Bachô”, says the stylist.

Quelem Vergeleti, of Senai/PR, exalted the relation between Leminski and society. “The paper armour, which are pages of book”, explain. “Gipsy man, sad but true, he had the tendency to unify arts”. She can say that the lyrics were the armour of Leminsky. “The focal point of the structure is the head – fountain of realizations”, says.

Such as gipsy and crazy, Paulo Leminsky showed to be a revolutionary on the eyes of Rubia Dallarmi Nisgoski, student from Senai/PR. “A transgressor. An artist. A genious. A visionary. King of Words. He valued wishes, screams sadness, fells love... provokes deep emotions, drinks the life, faces his difficult, sings new day. Paints with force and expressivity”, defines Rubia about Paulo Leminski: “strong and riches to his people, his explosion of expression”, completes.

To Timeni Andrade Gonçalves, of Londrina University of State, the poetry passed the major of his day in front of writer machine dedicated to art and poetry. “It was the writer machine that Paulo decoded in words the sensations of changes, irreverent when write. Everything could be poetry”, says Timeni, who transmitted her enthusiasm in looks on catwalk.

But to Willian Nassau, student of Senai/PR, Leminski was a man of words, poetries and publicity texts. “He wrote music, published new in magazines, married with poetry. Wrote in prose and poetry, was translator and columnist. An artist that transformed paper in art”, says the young Nassau. The principal inspiration of creations was the support of writing: White Sheets of Paper, according to Willian. “The sheets are part of creation and protected which are in there. The sheets grind the creativity and intimidate the creator. White, and blue from Bic pen”, explains the young stylist about Paulo Leminski, who was a poetry fascinated by the Japanese culture.